During British colonial era in Nigeria, Ohaozara land was under Ogoja Province during Southern Nigeria Protectorate (1914 to 1967) and Eastern Region (1954 to 1967), Ohaozara land was under Afikpo Division during East Central State (1967 to 1976), during these periods the Warrant Chiefs appointed by the British government where representing places around Ohaozara, they were assembling at Enu-Akwa (Court Area) before reporting to Afikpo (division) and Abakiliki the provincial capital of Ogoja Province.
It became a local government of itself with inclusion of two Ezza towns (Ukawu and Aba-Omege) and two independent towns (Ishiagu and Akaeze) during the creation of the then Imo State (1976) in which at the same time Obiozara was created as a new headquarters for the new LGA. Thereafter the era of kingship was introduced around Igboland which reigns to present day, It saw the reigns of HRH EZE UDE UMANTA (Ezeoha 1 of Isu-Okoma, Abutu 1 of Ohaozara Obodoisii), HRH EZE DAVID ABBA ONU (Eze Adu 1 Uburu-Adunsiegbe) among other 1st kings in Ohaozara.

In 1991 during the creation of Abia State, Onicha LGA (Onicha, Oshiri and Isu) was created off Ohaozara LGA and again during the creation of Ebonyi State in 1996, Ivo LGA (Akaeze and Ishiagu) was created off Ohaozara LGA.
Today Ohaozara has a total of 15 autonomous communities where each has its own king and 2 LGAs.

Today, the six Ohaozara towns maintain traditional leadership structures alongside constitutional governance, ensuring that both ancestral customs and contemporary administration coexist in harmony.

Each town developed autonomous kindreds and family head, titled men, community councils responsible for justice, rituals, and festivals. Leadership was measured not by wealth but by wisdom, integrity, and service to the community.

During the festivals and other events music is a paramount element that accompanies every milestone — from birth to harvest, from marriage to title taking. Traditional Igbo drums, ogene (gong), and ekwe (wooden slit drum) set the rhythm for dances that tell stories of bravery, love, and thanksgiving.
Iri Ji in Ohaozara (New Yam Festivals): Celebrated annually to honour the land’s fertility and thank the gods for a successful harvest. It’s is one of the most vibrant cultural expressions, where communities gather to dance, sing, and rejoice over the year’s harvest. Often celebrated within August and September yearly, Masquerades adorned in colorful costumes move gracefully through the crowd, symbolizing ancestral spirits joining the celebration.
Title Taking: Honouring individuals who have distinguished themselves in service and character. These include Ozo, Nze, Okenwa, Ogbuebo, Ogbuefi, Osuji and many others which mark honour, leadership and service.
Masquerade Festivals: Seasonal events featuring ancestral masquerades that bless and entertain the community. Aju Festival.
Market Day (Eke, Orie, Afo, Nkwo): Rotational market days that define trade, meetings, and cultural rhythm just like every other Igbo clans.
Marriage Ceremonies(Igbankwu): Family-centered events that symbolize continuity and communal joy between families and clans.
Naming ceremonies (Igu Aha): A joyful moment where a child is formally welcomed into the community.
Throughout the year, Ohaozara observes a range of festivals and traditional events, each marking a vital aspect of community life.

Our meals are built around yam, cassava, cocoyam, maize, and vegetables. Popular dishes include fufu with ofe onugbu (bitter-leaf soup), egusi soup, and abacha (African salad). The people also take pride in locally harvested salt from Uburu and Okposi — one of the oldest known salt industries in West Africa. Farming is not just an occupation but a way of life. Men and women farm together, sharing labour and harvest in a communal system that strengthens unity. Evening gatherings, moonlight tales (akụkọ n’egwu anyanwụ), and market days remain essential parts of Ohaozara’s social rhythm.

Art and Craft: Ohaozara’s artistic heritage is woven into everyday life which has endured for centuries. Women traditionally mould clay pots for cooking and storage, decorating them with geometric designs that symbolize fertility and continuity.
Woodcarving and weaving are also integral parts of the community’s identity. Skilled craftsmen create intricate masks, stools, and household items used in ceremonies and storytelling. Local artisans transform simple natural materials — raffia, palm fronds, and calabash — into objects of beauty and meaning, celebrating the harmony between humanity and nature.
These crafts not only serve practical purposes but also express the people’s belief that creativity is a divine gift — a reflection of God in the hands of man.

Ohaozara Salt Lake:

The salt lakes of Ohaozara are located in Uburu and Okposi, these natural Salt Lakes have long been serving as an identity boosting the land’s fame, linked Ohaozara to wider Igboland especially during the Nigeria-Biafra war. The essence of Ohaozara has been rooted in its connection to nature, community, and spirituality. Our land is blessed with lush vegetation, winding streams, sacred groves, and fertile plains that have sustained our ancestors and shaped our way of life. Every hill, every river, and every tree carries a piece of our history — stories passed down through oral traditions, songs, and the memories of elders.

Spirituality and Belief

Before the advent of Christianity, Ohaozara people practiced traditional Igbo spirituality — a belief system centered on Chukwu (the Supreme God), ancestral veneration, and lesser deities who governed natural elements and moral order.
Shrines, sacred groves, and ancestral altars once served as spiritual centers for prayers, sacrifices, and community decisions. Deities like Ani (Earth goddess) symbolized fertility and justice, ensuring balance between the people and the land.
With time, Christianity arrived and blended with indigenous beliefs, giving birth to a unique spiritual harmony — one that respects both faith and tradition. Today, churches and traditional shrines coexist, reflecting Ohaozara’s open and tolerant spirit toward spiritual diversity.

The annual traditions serve as cultural anchors — ensuring that even as Ohaozara people move across cities and continents, they remain spiritually, culturally and traditionally connected to home. Culture is the heartbeat of Ohaozara. Every town celebrates festivals that renew the bond between the people, their ancestors, and the land.
These customs connect Ohaozara people wherever they live — from the villages of Ebonyi to the diaspora communities around the world — reminding every Ohaozara son and daughter of their shared roots.

He specializes in using Nigerian street cult to make educational and funny skits and has been creating skits ever since he left secondary school but gone viral in 2021 which made blogger Tunde Ednut to share his viral content and since then he has been one of the most popular and most sensational skit makers in Nigeria.
While using cultism to create hilarious content, few people have stated that he’s promoting cultism in the society but he has constantly advises the youths not to join cults and always put “Say No To Cultism” in his pages across social platforms.

Since rising to fame, OGB has collaborated with big names in the entertainment industry and supported upcoming skit maker, singer and other entertainers. He earns money by promoting various brands like BetFuse, Anonymous Exchange and many more
As a singer he has released three hit songs namely:
You Wan Collect
Garri
30GB Anthem

As an actor and filmmaker he also has these movies to his credit.
Aja Boys
Government Data
Working Boy
Our Wedding
Inside Ajah
And many more….

He is the originator of street slags like “You Wan Collect” and “I Feel Like Crying”. His stage name/nickname OGB is the abbreviation of his real name OGBonna.

Follow him on social media platforms.

YouTube: https://youtube.com/@ogb_recent_cultist?si=3OmGRivK1b7PtBO1

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